{"id":759,"date":"2018-11-23T16:15:07","date_gmt":"2018-11-23T15:15:07","guid":{"rendered":"http:\/\/www.vollersound.com\/wp-content\/uploads\/2018\/11\/Moritz_Kraemer_2_Credit_Anne_Krausz.jpg"},"modified":"2018-12-10T13:58:26","modified_gmt":"2018-12-10T12:58:26","slug":"moritz_kraemer_2_credit_anne_krausz","status":"inherit","type":"attachment","link":"https:\/\/www.vollersound.com\/?attachment_id=759","title":{"rendered":"Moritz Kraemer"},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","meta":[],"class_list":["post-759","attachment","type-attachment","status-inherit","hentry"],"description":{"rendered":"<p class=\"attachment\"><a href='https:\/\/www.vollersound.com\/wp-content\/uploads\/2018\/11\/Moritz_Kraemer_2_Credit_Anne_Krausz.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"240\" height=\"300\" src=\"https:\/\/www.vollersound.com\/wp-content\/uploads\/2018\/11\/Moritz_Kraemer_2_Credit_Anne_Krausz-240x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.vollersound.com\/wp-content\/uploads\/2018\/11\/Moritz_Kraemer_2_Credit_Anne_Krausz-240x300.jpg 240w, https:\/\/www.vollersound.com\/wp-content\/uploads\/2018\/11\/Moritz_Kraemer_2_Credit_Anne_Krausz-768x960.jpg 768w, https:\/\/www.vollersound.com\/wp-content\/uploads\/2018\/11\/Moritz_Kraemer_2_Credit_Anne_Krausz-819x1024.jpg 819w, https:\/\/www.vollersound.com\/wp-content\/uploads\/2018\/11\/Moritz_Kraemer_2_Credit_Anne_Krausz.jpg 1772w\" sizes=\"auto, 100vw\" \/><\/a><\/p>\n<p><strong><a href=\"https:\/\/www.facebook.com\/moritz.kraemer1\">Moritz Kr\u00e4mer<\/a><\/strong> &#8211; neues Album  &#8222;Ich hab einen Vertrag unterschrieben 1&#038;2&#8220; V\u00d6: 01.02.18 (CD\/2LP\/DL) Tapete Records<\/p>\n<p>Bevor die n\u00e4chste Platte seiner Band \u201eDie H\u00f6chste Eisenbahn\u201c rauskommt, hat Moritz Kr\u00e4mer ein Doppelalbum aufgenommen, \u00fcber ein Thema, das uns alle betrifft, aber selten im Plattenregal zu finden ist: Vertr\u00e4ge.<\/p>\n<p>Mal klingt die Platte zur\u00fcckgelehnt wie Whitney oder Andy Shauf, wenn ein trockener Beat (Hanno Stick am Schlagzeug) unter warmen Streichern begraben wird, mal wie Kevin Morby, Wilco oder Courtney Barnett, mal erinnern die Arrangements mit Bongos, Motownstreichern und dem Beatlesbass von Alex Binder an Hymnen von Curtis Mayfield oder Gladys Knight, durch Andi Fins\u2019 Klavierspiel an Randy Newman oder Todd Rundgren. Am Ende ist es immer Kr\u00e4mers Stimme und seine Art zu singen, die den Sound der Platte ausmachen, die die deutsche Sprache so leicht und melodisch klingen lassen.<\/p>\n<p>Video &#8211; &#8222;<a href=\"https:\/\/www.youtube.com\/watch?v=EYJq2qiiQUY\">Um raus zu sein<\/a>&#8222;<\/p>\n"},"caption":{"rendered":"<p>Moritz Kraemer \u00a9 Anne Krausz<\/p>\n"},"alt_text":"","media_type":"image","mime_type":"image\/jpeg","media_details":{"width":1772,"height":2215,"file":"2018\/11\/Moritz_Kraemer_2_Credit_Anne_Krausz.jpg","sizes":{"thumbnail":{"file":"Moritz_Kraemer_2_Credit_Anne_Krausz-150x150.jpg","width":150,"height":150,"mime_type":"image\/jpeg","source_url":"https:\/\/www.vollersound.com\/wp-content\/uploads\/2018\/11\/Moritz_Kraemer_2_Credit_Anne_Krausz-150x150.jpg"},"medium":{"file":"Moritz_Kraemer_2_Credit_Anne_Krausz-240x300.jpg","width":240,"height":300,"mime_type":"image\/jpeg","source_url":"https:\/\/www.vollersound.com\/wp-content\/uploads\/2018\/11\/Moritz_Kraemer_2_Credit_Anne_Krausz-240x300.jpg"},"medium_large":{"file":"Moritz_Kraemer_2_Credit_Anne_Krausz-768x960.jpg","width":768,"height":960,"mime_type":"image\/jpeg","source_url":"https:\/\/www.vollersound.com\/wp-content\/uploads\/2018\/11\/Moritz_Kraemer_2_Credit_Anne_Krausz-768x960.jpg"},"large":{"file":"Moritz_Kraemer_2_Credit_Anne_Krausz-819x1024.jpg","width":819,"height":1024,"mime_type":"image\/jpeg","source_url":"https:\/\/www.vollersound.com\/wp-content\/uploads\/2018\/11\/Moritz_Kraemer_2_Credit_Anne_Krausz-819x1024.jpg"},"twentyseventeen-featured-image":{"file":"Moritz_Kraemer_2_Credit_Anne_Krausz-1772x1200.jpg","width":1772,"height":1200,"mime_type":"image\/jpeg","source_url":"https:\/\/www.vollersound.com\/wp-content\/uploads\/2018\/11\/Moritz_Kraemer_2_Credit_Anne_Krausz-1772x1200.jpg"},"twentyseventeen-thumbnail-avatar":{"file":"Moritz_Kraemer_2_Credit_Anne_Krausz-100x100.jpg","width":100,"height":100,"mime_type":"image\/jpeg","source_url":"https:\/\/www.vollersound.com\/wp-content\/uploads\/2018\/11\/Moritz_Kraemer_2_Credit_Anne_Krausz-100x100.jpg"},"full":{"file":"Moritz_Kraemer_2_Credit_Anne_Krausz.jpg","width":1772,"height":2215,"mime_type":"image\/jpeg","source_url":"https:\/\/www.vollersound.com\/wp-content\/uploads\/2018\/11\/Moritz_Kraemer_2_Credit_Anne_Krausz.jpg"}},"image_meta":{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1","keywords":[]}},"post":149,"source_url":"https:\/\/www.vollersound.com\/wp-content\/uploads\/2018\/11\/Moritz_Kraemer_2_Credit_Anne_Krausz.jpg","_links":{"self":[{"href":"https:\/\/www.vollersound.com\/index.php?rest_route=\/wp\/v2\/media\/759","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.vollersound.com\/index.php?rest_route=\/wp\/v2\/media"}],"about":[{"href":"https:\/\/www.vollersound.com\/index.php?rest_route=\/wp\/v2\/types\/attachment"}],"author":[{"embeddable":true,"href":"https:\/\/www.vollersound.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.vollersound.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=759"}],"wp:attached-to":[{"embeddable":true,"post_type":"page","id":149,"href":"https:\/\/www.vollersound.com\/index.php?rest_route=\/wp\/v2\/pages\/149"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}